After everybody went digital in 2020, the contrary happened to the Australian Studio Sly, which printed tons of physical projects. Naturally delayed by their client's projects, their priority, they finally found the time to update their stationery design.

They took this opportunity not only to represent the studio but to set good examples for our clients. A big deal for these designers is texture. They try to get some of it in every project they command. This constant improves the tactile experience and understated aesthetics. Studio Sly's business cards have a minimal, black and white aesthetic. Their uniqueness comes from the 3D facet embossed with black foil, which gives a sparkling finish. However, business cards are not the only thing they thought for their stationery work, but they resolved a tape dispenser that matches the embossed black foil, custom powder-coated in the antique hammer. All in all, we found this updated printed design very beautiful, and we love all-typed projects, as we believe stunning typography can communicate so much in a subtle way. This is our invitation for you to scroll down and enjoy this design.

Formerly the one-woman show behind Australian homewares label Sly is designer Lauren Finks. With an innate knack for conjuring ideas in all forms, whether it's graphic, product, or other, Lauren has over ten years of design skills to back this up, with considered, process-driven visual solutions to elevate existing brands and kick start new ones. Getting to the core of a brand and understanding it from top to toe is key to Lauren. Understanding the people means as much as the business. With a minimalist design aesthetic and an experienced eye, Lauren delivers thoughtful creativity that packs a punch.